New queer cinema [Texte imprimé] : the director's cut / B. Ruby Rich
Language: anglais.Country: États-Unis.Publication: Durham, N.C., London : Duke University Press, 2013Description: xxx, 322 pages : illustrations ; 25 cmISBN: 9780822354116; 082235411X; 9780822354284; 0822354284.Dewey: 791.436 53, 23Contents note: Before the beginning ; The new queer cinema: director's cut ; Collision, catastrophe, celebration: the relationship between gay and lesbian film festivals to their publics ; What's a good gay film? ; The king of queer : Derek Jarman ; True stories of forbidden love ; Goings and comings, the go fish way ; Historical fictions, modern desires: the watermelon woman ; Channeling domestic violence: in the den with Todd Haynes and Christine Vachon ; The I.K.U. experience: the Shu-Lea Cheang phenomenon ; Jonathan Caouette: what in tarnation? ; Apichatpong Weerasethakul's tropical maladies ; Beyond doom : Gregg Araki's mysterious film ; A walk in the clouds : Julián Hernández ; Lethal lesbians: the cinematic inscription of murderous desire ; Queering the biopic documentary ; A queer and present danger : the death of new queer cinema? ; Preface to a history ; Refashioning Mexican screen sexuality : Ripstein, Hermosillo, Leduc ; Gay/lesbian traces ; Mexico in the Forties : reclaiming a gender pioneer ; Revolution, sexuality, and the paradox of queer film in Cuba ; Queering the social landscape ; Ang Lee's lonesome cowboys ; Itty bitty titty committee : free radicals and the feminist carnivalesque ; Queer Nouveau : from morality tales to mortality tales in Ozon, Téchiné, Collard ; Got milk? : Gus Van Sant's encounter with history Abstract: B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the 'Village Voice' in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist, and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume presents her new thoughts on the topic, as well as bringing together the best of her writing on the NQC.Subject - Topical Name: Homosexualité -- Au cinéma | Homosexuels -- Au cinéma| Item type | Current library | Call number | Status | Date due | Barcode |
|---|---|---|---|---|---|
| Livre | Le Brrrazero Salle de lecture | Q167 RIC (Browse shelf (Opens below)) | Consultable sur place | 100000001013 |
Based in the author's thesis (doctoral)--Rheinische Friedrich-Wilhelms University of Bonn, 2012
Includes bibliographical references (pages 297-308) and index
Before the beginning ; The new queer cinema: director's cut ; Collision, catastrophe, celebration: the relationship between gay and lesbian film festivals to their publics ; What's a good gay film? ; The king of queer : Derek Jarman ; True stories of forbidden love ; Goings and comings, the go fish way ; Historical fictions, modern desires: the watermelon woman ; Channeling domestic violence: in the den with Todd Haynes and Christine Vachon ; The I.K.U. experience: the Shu-Lea Cheang phenomenon ; Jonathan Caouette: what in tarnation? ; Apichatpong Weerasethakul's tropical maladies ; Beyond doom : Gregg Araki's mysterious film ; A walk in the clouds : Julián Hernández ; Lethal lesbians: the cinematic inscription of murderous desire ; Queering the biopic documentary ; A queer and present danger : the death of new queer cinema? ; Preface to a history ; Refashioning Mexican screen sexuality : Ripstein, Hermosillo, Leduc ; Gay/lesbian traces ; Mexico in the Forties : reclaiming a gender pioneer ; Revolution, sexuality, and the paradox of queer film in Cuba ; Queering the social landscape ; Ang Lee's lonesome cowboys ; Itty bitty titty committee : free radicals and the feminist carnivalesque ; Queer Nouveau : from morality tales to mortality tales in Ozon, Téchiné, Collard ; Got milk? : Gus Van Sant's encounter with history.
B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the 'Village Voice' in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist, and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume presents her new thoughts on the topic, as well as bringing together the best of her writing on the NQC
There are no comments on this title.