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035			_a(OCoLC)493009925
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100			_a20051209d1999 k y0frey50 ba
101	0		_aeng
102			_aGB _aUS
105			_aa | 001yy
106			_ar
200			_aDisidentifications _eQueers of Color and the Performance of Politics _fJosé Esteban, Munoz _bTexte imprimé
215			_a1 vol. (XVII-227 p.) _cill., couv. ill. en coul. _d26cm
225	2		_aCultural studies of the Americas _vVolume 2
320			_aNotes bibliogr. Index
330			_aJosé Esteban Muñoz looks at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification.” Disidentifications attempts to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in film, performance art, ethnography, Cuban choteo, gay male mass culture, museums, art photography, camp and drag, and television, Muñoz develops a new perspective on minority performance, survival, and activism.
410			_0082300054 _tCultural studies of the Americas _fedited by George Y�udice, Jean Franco and Juan Flores _cMinneapolis _nUniversity of Minnesota press _d[1999]- _v2
606			_3056592299 _aHomosexuels appartenant �a des minorit�es _3027225488 _y�Etats-Unis _302766435X _xConditions sociales _2rameau
606			_3027634892 _aArt de performance _3027792102 _xAspect politique _3027225488 _y�Etats-Unis _2rameau
610			_adisidentification
610			_aqueers raciséEs
610			_aVaginal Davis
610			_aJean-Michel Basquiat
610			_aart
610			_arésistance à la norme
610			_aqueer
700			_3094145881 _aMunoz _bJosé Esteban _4070 _928
801		3	_aFR _bAbes _c20201112 _gAFNOR