| 000 | 02064nam a2200325 4500 | ||
|---|---|---|---|
| 001 | 2904 | ||
| 010 |
_a1857270762 _brel. |
||
| 090 | _a2904 | ||
| 099 | _tLIVR | ||
| 100 | _a19961113d1993 m y0frey50 ba | ||
| 101 | 0 | _aeng | |
| 102 | _aGB | ||
| 105 | _aa z 00|y| | ||
| 106 | _ar | ||
| 200 |
_aWomen and film _bTexte imprimé _ea sight and sound reader _fPam, Cook |
||
| 210 |
_aLondon _cScarlet press _cSight and sound _d1993 |
||
| 215 |
_aXXIX-287 p. _cill. _d23 cm |
||
| 300 | _aBibliogr. p. 254-264 | ||
| 300 | _aFilmogr. p. 243-253 | ||
| 330 | _aBrought together for the first time, these lively, sophisticated essays bring into focus contemporary debates regarding the representation of women in film and analyze women's practices as filmmakers and actors. Sight and Sound, the pioneering magazine of film criticism, has enlisted a distinguished group of cultural commentatorscritics, scholars, noveliststo consider the roles of gender and sexuality in classic and recent cinema. Like Sight and Sound itself, the essays in this book are international in scope and represent the newest perspectives in cultural theory and criticism in a readily accessible style. Challenging dominant myths and the status quo in the industry, these provocative writers consider a wide range of fascinating topics that define the boundaries of traditional cinema and explore unmapped territory. Essays are generously illustrated with stills of films discussed, and each section contains a comprehensive bibliography and filmography. | ||
| 606 |
_311951934 _aFemmes _xAu cinéma _2rameau |
||
| 610 | _acinéma | ||
| 610 | _afemale gaze | ||
| 610 | _athéorie féministe du cinéma | ||
| 676 |
_a791.436 522 _v23 |
||
| 702 |
_312540803 _aCook _bPam _f1943-.... _4340 |
||
| 702 |
_312374670 _aDodd _bPhilip _f1949-.... _4340 |
||
| 801 | 0 |
_aFR _bFR-751131015 _c19961113 _gAFNOR |
|