| 000 | 01672cam0a22003731 4500 | ||
|---|---|---|---|
| 001 | 2913 | ||
| 005 | 20220606153852.0 | ||
| 010 | _a0415140056 | ||
| 035 | _a(OCoLC)493135189 | ||
| 035 | _aDYNIX_BUNAN_400405 | ||
| 035 | _aALP509745 | ||
| 090 | _a2913 | ||
| 099 | _tLIVR | ||
| 100 | _a20000408d1998 |||u0frey50 ba | ||
| 101 | 0 | _aeng | |
| 102 | _aGB | ||
| 105 | _ay ||||||||| | ||
| 200 |
_aWorking girls _egender and sexuality in popular cinema _fYvonne, Tasker |
||
| 210 |
_aLondon _aNew York _cRoutledge _d1998 |
||
| 215 |
_a1 vol. (IX-234 p.) _cill., couv. ill. en coul. _d24 cm |
||
| 305 | _aAutres tirages : 2000, 2005 | ||
| 330 | _aWorking Girls investigates the thematic concerns of contemporary Hollywood cinema, and its ambivalent articulation of women as both active, and defined by sexual performance, asking whether new Hollywood cinema has responded to feminism and contemporary sexual identities. Whether analysing the rise of films centred around female friendships, or the entrance of pop stars such as Whitney Houston and Madonna into film, Working Girls is an authoritative investigation of the presence of women both as film makers and actors in contemporary mainstream cinema. | ||
| 610 | _acinéma | ||
| 610 | _arôles de genre | ||
| 610 | _aidentité féminine | ||
| 610 | _areprésentation | ||
| 610 | _aféminisme | ||
| 610 | _athéorie féministe du cinéma | ||
| 700 | 1 |
_3033189099 _aTasker _bYvonne _f1964-.... _4070 |
|
| 801 | 3 |
_aFR _bAbes _c20200218 _gAFNOR |
|
| 801 |
_aFR _bDYNIXB[u0331]UNAN _c20021130 _gAFNOR |
||