000			01834cam0a2200349 4500
001			3357
005			20221026151359.0
010			_a0415907535
035			_a(OCoLC)492927082
035			_astr2192906
090			_a3357
099			_tLIVR
100			_a20060907d1994 |||y0frey50 ba
101	0		_aeng
102			_aGB _aUS
105			_ay |||||||||
200			_aQueering the pitch _ethe new gay and lesbian musicology _fElizabeth, Wood _fPhilip, Brett _fGary C, Thomas
215			_a1 vol. (IX-355 p.) _cmusique, couv. ill. en coul. _d23 cm.
320			_aNotes bibliogr. Index.
330			_aWhen the first edition of Queering the Pitch was published in early 1994, it was immediately hailed as a landmark and defining work in the new field of Gay Musicology. In light of the explosion of Gay Musicology since 1994, a new edition of Queering the Pitch is timely and needed. In this new work, the editors are including a landmark essay by Philip Brett on Gay Musicology, its history and scope. The essay itself has become a cause celebre, and this will be its first full appearance in print. Along with this new historical essay, the editors are contributing a new introduction that outlines the changes that have occurred over the last decade as Gay Musicology has grown.
606			_3027233944 _aHomosexualit�e _3027240223 _xMusique _2rameau
606			_3027248720 _aSexualit�e _3030077648 _xDans la musique _2rameau
610			_amusicologie
610			_aqueer studies
610			_amusique
700		1	_3053445988 _aBrett _bPhilip _f1937-2002 _4340
701		1	_3143363425 _aWood _bElizabeth _4340
701		1	_3143363344 _aThomas _bGary C. _4340
801		3	_aFR _bAbes _c20200731 _gAFNOR
801		0	_bPORT _aFR _cYYYYMMDD _gAFNOR