000			05050cam0a2200553 4500
001			421
005			20210427152433.0
010			_a9783037784273
010			_a303778427X
020			_aGB _bB4B7286
035			_a(OCoLC)889220251
035			_aocn889220251
035			_zocm884305162
035			_zocm884315898
035			_aAU@000060645644
090			_a421
099			_tLIVR
100			_a20181022h20182018u y0engy50 ba
101	0		_aeng
102			_aCH
105			_aah a 001|y
200	1		_aCutting Matta-Clark _ethe anarchitecture investigation _fMark Wigley
215			_a1 vol. (527 p.) _cill., facsimiles _d24 cm
314			_aWith contributions by Tina Girouard, Jene Highstein, Dickie Landry, Jeffrey Lew, Richard Nonas, Bernard Kirschenbaum, Susan Weil Kirschenbaum. Design: Integral Lars M�uller
320			_aR�ef�erences bibliogr. Iindex.
330			_aParmi les nombreux spectacles pr�esent�es dans la l�egendaire galerie 112 Greene Street - un �epicentre artistique de la sc�ene du centre-ville de New York dans les ann�ees 1970 - le spectacle du groupe Anarchitecture de mars 1974 a fait l�objet des discussions les plus persistantes, en d�epit d�un manque total de documentation �a ce sujet. L'anarchitecture est devenue un mythe fondateur, mais il reste �a le comprendre correctement. Issue d'une s�erie de r�eunions organis�ees par Gordon Matta-Clark et refl�etant son int�er�et de longue date pour l'architecture, l'exposition Anarchitecture a �et�e con�cue comme une d�eclaration de groupe anonyme compos�ee de photographies sur l'intersection de l'art et du b�atiment. Mais est-ce vraiment arriv�e? Il n�existe que par le biais de traces archivistiques obliques et de la m�emoire des participants. Cutting Matta-Clark enqu�ete sur le groupe Anarchitecture en tant que sorte de s�eminaire de recherche collectif, �a travers des entretiens approfondis avec les protagonistes et un dossier de toutes les preuves disponibles. Le dossier comprend une collection de �cartes artistiques� aphoristiques de Matta-Clark, les 96 photographies produites par les diff�erents participants pour une �eventuelle inclusion dans l'exposition, ainsi que des images d'une vid�eo r�ecemment d�ecouverte du voyage en bus de Matta-Clark, d�esormais c�el�ebre, pour voir Splitting �a Englewood, New Jersey
330			_aOf the many shows at the fabled 112 Greene Street gallery - an artistic epicenter of New York's downtown scene in the 1970s - the Anarchitecture group show of March 1974 has been the subject of the most enduring discussion, despite a complete lack of documentation about it. Anarchitecture has become a foundational myth, but one that remains to be properly understood. Stemming from a series of meetings organized by Gordon Matta-Clark and reflecting his long-standing interest in architecture, the Anarchitecture exhibition was conceived as an anonymous group statement in photographs about the intersection of art and building. But did it actually happen? It exists only through oblique archival traces and the memories of the participants. Cutting Matta-Clark investigates the Anarchitecture group as a kind of collective research seminar, through extensive interviews with the protagonists and a dossierof all the available evidence. The dossier includes a collection of Matta-Clark's aphoristic 'art cards', the 96 photographs that were produced by the various participants for possible inclusion in the exhibition, and images from a recently unearthed video of Matta-Clark's now famous bus trip to see Splitting in Englewood, New Jersey
600		1	_3050535021 _aMatta-Clark _bGordon _f1943-1978 _3028633067 _xCritique et interpr�etation _2rameau
600		1	_aMatta-Clark _bGordon _f1943-1978 _xCriticism and interpretation _2lc
600		1	_aMatta-Clark _bGordon _f1943-1978 _2fast
606			_3155624997 _aArchitecture et arts _3027225488 _y�Etats-Unis _302887966X _z1970-.... _2rameau
606			_302765687X _aCr�eation collective (art) _3027311538 _yNew York (N.Y.) _2rameau
606			_aArt and architecture _yUnited States _z20th century _2lc
606			_arapport art-architecture _2archir�es
607			_aUnited States _2fast
676			_a700.411
680			_aN6537.M3947 _bW54 2018
700		1	_3033285063 _aWigley _bMark _f1956-.... _4070
702		1	_3050535021 _aMatta-Clark _bGordon _f1943-1978 _4040
712	0	2	_3032437110 _aCentre canadien d'architecture _cMontr�eal, Canada _4340
712	0	2	_3081522509 _aGraduate school of architecture, planning and preservation _cNew York _4340
801		3	_aFR _bAbes _c20200108 _gAFNOR
801		0	_bERASA _gAACR2 _aFR _cYYYYMMDD
801		2	_bUKMGB _gAACR2 _aFR _cYYYYMMDD